NEWS

ELEANOR LOUISE BUTT AWARDED THE 2024 MUSWELLBROOK ART PRIZE FOR PAINTING

April 8, 2024

Congratulations to Eleanor Louise Butt who has been awarded the 2024 Muswellbrook Art Prize for Painting. The $50,000 acquisitive award will see Eleanor’s work added to the Muswellbrook collection, which includes previous winners such as David Aspden, Sydney Ball, Richard Larter and Fred Williams. . Established in 1958, the Muswellbrook Art Prize is one of the most celebrated prizes for painting in regional Australia. Astute adjudication of the Prize over the years has yielded an excellent collection of modern and contemporary Australian paintings, works on paper and ceramics from the Post War period of the 20th Century and into the…

SUZANNE ARCHER EXHIBITED IN ‘FEMME-MAISON: IMAGINED BOUNDARIES – WOMEN ARTISTS FROM THE COLLECTION AND BEYOND’ AT MACQUARIE UNIVERSITY ART GALLERY UNTIL 29 APRIL

March 26, 2024

Suzanne Archer is exhibited in ‘Femme-Maison: Imagined Boundaries – Women artists from the collection and beyond’ at Macquarie University Art Gallery until 29 April Celebrating the 50th anniversary of the Women’s Art Movement in Australia in Macquarie University’s 60th anniversary Macquarie University Art Gallery is proud to present this two-venue exhibition program in partnership with Gallery Lane Cove A collection can reveal multiple viewpoints and conceptions, nuanced by its history of continuity and gaps. In recognition of the 50th anniversary of the Women’s Art Movement in Australia we have tapped into the collection by reappraising those shifts and generational legacies.…

KEZ HUGHES FINALIST IN 2024 BAYSIDE PAINTING PRIZE

March 20, 2024

Kez Hughes is a finalist in the 2024 Bayside Painting Prize Established in 2015, the Bayside Painting Prize is one of the most generous non-acquisitive painting prizes in the country. The finalist exhibition brings together a broad range of artists, both established and lesser known, whose varied approaches to the painted medium conveys the breadth and diversity of painting in Australia today. Image: Kez Hughes ‘𝙉𝙤𝙧𝙞𝙠𝙤 𝙉𝙖𝙠𝙖𝙢𝙪𝙧𝙖, 𝙈𝙤𝙩𝙝𝙚𝙧𝙡𝙖𝙣𝙙, 𝙎𝙪𝙩𝙩𝙤𝙣 𝙂𝙖𝙡𝙡𝙚𝙧𝙮 2016’ 2023 oil on linen 64 x 79 cm

CELESTE CHANDLER STUDIO PROFILE BY SOPHIA HALLOWAY IN ‘ART ALMANAC’, APRIL 2022

April 8, 2022

In the Studio: Celeste Chandler “I’ve had to find a way to work amongst the chaos of life.” When I speak to Melbourne-based artist Celeste Chandler about her upcoming show at Nicholas Thompson Gallery, 6 to 30 April, it’s from her kitchen-cum-studio. Prior to a couple of years ago, Chandler had a large studio and painted on a large scale. The studio was something she thought she could never give up – but due to a combination of circumstances, including the pandemic and her cancer diagnosis, Chandler has had to recalibrate. During the pandemic, many of us share this feeling…

KYLIE BANYARD FINALIST IN 2022 LEN FOX PAINTING PRIZE AT CASTLEMAINE ART MUSEUM

March 12, 2022

Kylie Banyard is exhibited as a finalist in the 2022 Len Fox Painting Prize at Castlemaine Art MuseuM “A grainy black and white archival photograph depicts a group of young women working in a cornfield (Cira. 1940). Found amongst the Black Mountain College archives, the photograph tells a story of three women clustered together working in a relaxed synchronous flow, framed by the grand Appalachian Mountains blanketed by a soft misty light; the dynamic between them appears as harmonious as the triangular shape their collective bodies form across the centre of the picture plane. Discovered while travelling on a research…

TONEE MESSIAH COLLABORATING ARTIST FOR GORMAN FEBRUARY 2022 COLLECTION

February 24, 2022

Gorman has previously worked with Australian artists including Rhys Lee and Miranda Skoczek. In 2019, ‘Gorman: Ten years of collaborating’ was exhibited at Heide Museum of Modern Art featuring work by collaborative artists and Gorman textiles.

KYLIE BANYARD AND JESSIE BOYLAN’S LA TROBE ART INSTITUTE BIANNUAL FACADE COMMISSION FEATURED ON ABC CENTRAL VICTORIA

February 11, 2022

Bendigo Creek doesn’t get a lot of love or appreciation, as to most people it just looks like a big concrete and bluestone drain directing any surplus rainwater away from homes, businesses and roads in the regional Victorian city’s CBD. But parts of the creek still look like a natural waterway, just 13 kilometres north of the city at Huntly Streamside Reserve, not far from Bendigo’s livestock saleyards. It meanders along, dotted with trees and vegetation, alive with insects and birdlife beside a clearing of long grass. Bendigo Creek at the bottom of View Street is a heavily engineered drain.(ABC Central Victoria:…

KYLIE BANYARD AND JESSIE BOYLAN’S LA TROBE ART INSTITUTE BIANNUAL FACADE COMMISSION ON VIEW UNTIL 8 MARCH 2022

February 9, 2022

“Artists Kylie Banyard and Jessie Boylan spent time visiting Bendigo Creek during winter and early spring 2021. Rising gently about here is the result of their collaborative experiments with historical and contemporary photographs, maps, topographical drawings, oil paint and watercolour. . For thousands of years prior to European colonisation, Bendigo Creek flourished under Djaara custodianship. The oral traditions and knowledge of the Dja Dja Wurrung People describe a healthy series of interconnected waterholes surrounded by wooded areas and treeless flats. . An 1851 map created by miner, William Sandbach describes the rhythms of the landscape as ‘sloping gently to the…

WENDY STAVRIANOS ‘CONNECTING THREADS’ EXHIBITED IN QUEENSLAND ART GALLERY | GALLERY OF MODERN ART’S AUSTRALIAN ART COLLECTION

February 5, 2022

ELEANOR LOUISE BUTT’S 10 METRE COMMISSIONED WORK ‘MUSIC & TREES’ ON VIEW AT HER BAR, MELBOURNE CBD

February 3, 2022

Eleanor Louise Butt’s ten metre commissioned work ‘Music and Trees’ can now be viewed installed at the newly opened HER BAR in Lonsdale Street, Melbourne . “During the spring of 2021 I travelled through a forest daily to get to the studio where I made this painting. The light shone through the new leaves and shimmered in such a beautiful way that I wanted to re-create the same sense of shifting light within the work. I see this painting as an energetic outburst in which forms and colours intertwine and bounce off one another, pursuing a sense of movement and…

JAMES DRINKWATER FEATURED IN THE FEBRUARY 2022 ISSUE OF ‘AUSTRALIAN HOUSE AND GARDEN’

February 2, 2022

AMBER WALLIS FEATURED IN ‘PARADISO’ ISSUE 20, ARTICLE BY ANNA HUTCHCROFT

December 16, 2021