NEWS
Judith Van Heeren is exhibited in Groundswell at Castlemaine Art Museum until the 19th of July. In order to effect change, you need a groundswell, a groundswell of opinion, a surge of emotion, a desire for new thinking. This exhibition celebrates artists who want to build a groundswell for change whether that be environmental, cultural, personal or political. This exhibition has evolved from earlier projects celebrating the women who worked together to found the gallery in the early 20th century. Like them, any of the contemporary artists in this exhibition value networks, community connection and participation. Contemporary local artists include: Arkeria Armstrong,…
Antonia Sellbach is exhibited in ‘The Concentric Influences of Sol LeWitt: Foundations, Pivots and Place’, opening at RMIT Gallery on 5 June 2026. Instigated and directed by Dr Irene Barberis (RMIT School of Art), this exhibition emerges from her long-term friendship and mentorship with the esteemed American conceptual artist Sol LeWitt. In the 1960s, LeWitt revolutionised the definition of contemporary art by presenting the simple but radical idea that a work of art’s concept is more important than its form. RMIT Gallery is delighted to centre this exhibition around a LeWitt wall drawing; the…
Nicole Kelly is a finalist in the 2026 Wynne Prize at the Art Gallery of New South Wales with her painting ‘Bird Hour’. “I have visited the arid zone of remote Fowlers Gap Research Station in NSW, 110 kilometres north of Broken Hill, continuously for the past six years. Bird hour is an accumulated response to these visits, celebrating the variety of bird life and visually shifting desert landscape. Reflecting on our binding relationships with the landscape and a love of the land, the painting reveals an ongoing attempt to portray reality in a way that liaises not with literal…
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Artist Tai Snaith Paints From A Beautiful ‘Haunted’ House In Fitzroy North Since Melbourne-based artist Tai Snaith started her art studies back in the early 2000s, she’s exhibited paintings, collage, ceramic sculptures and public art. But for her upcoming exhibition, Tai has turned her full attention to painting and ‘a fortuitous happy accident’ led her to an abandoned Victorian worker’s cottage that’s become her new art studio. Tai says it’s equal parts grimy, decrepit, and enchanting, complete with a haunting energy she’s channelled into her emotive paintings. Step inside! Written by Christina Karras Photography by Amelia Stanwix Melbourne-based artist Tai Snaith…
Nicole Kelly is a finalist in the 2024 Muswellbrook Art Prize with her work ‘Solastalgia’ . Established in 1958, the Muswellbrook Art Prize is one of the most celebrated prizes for painting in regional Australia. Astute adjudication of the Prize over the years has yielded an excellent collection of modern and contemporary Australian paintings, works on paper and ceramics from the Post War period of the 20th Century and into the 21st Century, with the winning acquisitive works forming the nucleus of what is now known as the Muswellbrook Shire Art Collection. . Image Nicole Kelly Solastalgia 2023 ceramic, terra…
See Pia Murphy’s ‘Garden Gravity’ Opening At Nicholas Thompson Gallery The artist’s indefinable oil paintings are on show at the Collingwood gallery until March 16. The oil paintings of Pia Murphy seamlessly combine abstract forms and recognisable figures across a vivid colour palette found in nature. Her latest body of work, Garden Gravity, is particularly inspired by the artist’s relationship to her home garden. While created without a preconceived outcome in mind, the 17 works in this new exhibition visually express how Pia’s garden relates to both her art practice and daily life. ‘I think it’s like tapping into some ancient knowledge,’…
Elyss McCleary is exhibited in ‘Harmonious Eccentricity’ with Emma Ovenden from 25 January to 7 March at Correspondences, Brunswick. The collaborative residency project features painting by Elyss McCleary alongside live music, improvisation, video, quilting and beading practice by musician/composer/visual artist Emma Ovenden. The project is presented over six weeks and features five different displays. Alongside the exhibitions, community-making and a range of events have been planned. Image: Elyss McCleary Golden sherbet waves pash, I want to be on a beach with you with a pine lime splice 2018 oil on linen 140cm x 125.5cm
Wendy Stavrianos ‘Cage Fragment’ 1976 is currently exhibited at the Art Gallery of Ballarat in the exhibition ‘Significant Others’ until 11 February 2024 The exhibition celebrates connections between artists and their works in the Gallery’s outstanding Collection, exploring a range of different relationships between pairs of artists – as partners, family members, teachers, mentors or friends. . Wendy Stavrianos ‘Cage Fragment’ 1976 ink on canvas 152.9 x 119.7 cm 2. Wendy Stavrianos, 1978
Wendy Stavrianos campaigns for the soul of the earth and our embodied connection to it; exploring a psychological connection between nature, body and mind has sometimes been political, but mostly philosophical. When I emailed Wendy about this article asking for explanations from her that would assist an understanding of her practice over several decades, she began by saying “throughout my practice I engage with the Metaphysical”. The works present an abstract and poetic exploration of psychological states of mind in relation to the experiences and representations of the body and nature. She writes: ‘Tracks through the landscape, threads that connect…
Nicole Kelly is a finalist in the Grace Cossington Smith Art Award 2024 . The award is sponsored by Abbotsleigh school and commemorates one of its alumnae, Grace Cossington Smith, who is known as a pioneer of modernist painting in Australia. The Grace Cossington Smith Gallery is a public gallery developing a collection with a focus on learning about art and through art. . Nicole Kelly ‘Into blue’ 2023 oil on polyester 117 x 107 cm
Nicholas Thompson Gallery, until October 21 Within the tremendous visual power of her flora paintings, their vivacity and particularity, Karla Marchesi gives us nature in all its beauty and potential monstrosity. Across 14 oil paintings, the Berlin-based, Brisbane-born artist has created still life floral scenes that have the uncanny shock of a dream. They are delightful but also skewed and mutating. Across a hazy pastel background (Marchesi is a master of using colour to convey a strange sense of weather) is a monumental amalgamation of flowers, petals and leaves. Other paintings depict sprouting growths akin to coral; delicate pansy-like flowers…
Karla Marchesi is a finalist in the 2023 Arthur Guy Memorial Painting Prize at Bendigo Art Gallery Held every two years, the Arthur Guy Memorial Painting Prize attracts some of Australia’s most accomplished artists. The Prize provides Bendigo Art Gallery with the opportunity to survey a breadth of contemporary painting by established and emerging artists from across Australia. Exhibition current 25 November 2023 to 18 February 2024 Image Karla Marchesi Pleasure Garden 2022 Oil on linen 180 x 150 cm