NEWS

TAI SNAITH ACQUIRED BY SHEPPARTON ART MUSEUM

May 28, 2026

Works from Tai Snaith’s ‘Flotilla (there’s no dignity in haste)’ series of slugs have been acquired by the Shepparton Art Museum. The Shepparton Art Museum (SAM) holds the most significant collection of historic and contemporary Australian ceramics in regional Australia. The collection strives to encompass all aspects of ceramic production in Australia and be comprehensive in its representation of major trends, developments and important periods of production. Tai Snaith’s slugs have previously been exhibited with Nicholas Thompson Gallery at Spring 1883 (2025) and Heide Museum of Modern Art (2021). Installation image by @alicehutchison_photography

JUDITH VAN HEEREN EXHIBITED IN ‘GROUNDSWELL’ AT CASTLEMAINE ART MUSEUM

May 14, 2026

Judith Van Heeren is exhibited in Groundswell at Castlemaine Art Museum until the 19th of July. In order to effect change, you need a groundswell, a groundswell of opinion, a surge of emotion, a desire for new thinking. This exhibition celebrates artists who want to build a groundswell for change whether that be environmental, cultural, personal or political. This exhibition has evolved from earlier projects celebrating the women who worked together to found the gallery in the early 20th century. Like them, any of the contemporary artists in this exhibition value networks, community connection and participation. Contemporary local artists include: Arkeria Armstrong,…

ANTONIA SELLBACH EXHIBITED IN ‘THE CONCENTRIC INFLUENCES OF SOL LEWITT: FOUNDATIONS, PIVOTS AND PLACE’ AT RMIT GALLERY

May 7, 2026

Antonia Sellbach is exhibited in ‘The Concentric Influences of Sol LeWitt: Foundations, Pivots and Place’, opening at RMIT Gallery on 5 June 2026. ⁠ ⁠ Instigated and directed by Dr Irene Barberis (RMIT School of Art), this exhibition emerges from her long-term friendship and mentorship with the esteemed American conceptual artist Sol LeWitt. ⁠ ⁠ In the 1960s, LeWitt revolutionised the definition of contemporary art by presenting the simple but radical idea that a work of art’s concept is more important than its form. ⁠ ⁠ RMIT Gallery is delighted to centre this exhibition around a LeWitt wall drawing; the…

KARLA MARCHESI FINALIST IN 2023 ARTHUR GUY MEMORIAL PAINTING PRIZE AT BENDIGO ART GALLERY

October 12, 2023

Karla Marchesi is a finalist in the 2023 Arthur Guy Memorial Painting Prize at Bendigo Art Gallery Held every two years, the Arthur Guy Memorial Painting Prize attracts some of Australia’s most accomplished artists. The Prize provides Bendigo Art Gallery with the opportunity to survey a breadth of contemporary painting by established and emerging artists from across Australia. Exhibition current 25 November 2023 to 18 February 2024 Image Karla Marchesi Pleasure Garden 2022 Oil on linen 180 x 150 cm

NICOLE KELLY FINALIST IN HAZELHURST ART ON PAPER AWARD 2023

October 11, 2023

Nicole Kelly is exhibited as a finalist in the Hazelhurst Art on Paper Award 2023 The biennial Hazelhurst Art on Paper Award is a significant national exhibition that aims to elevate the status of work on paper while supporting and promoting artists working with this medium. Exhibition current to the 12 of November Image Nicole Kelly ‘Notes from the desert’ 2023 oil monotypes 172 x 198.5 cm

KARLA MARCHESI FEATURED IN ‘ARTIST PROFILE’ ISSUE 64

October 10, 2023

PROCESS: Karla Marchesi It’s funny that there is a psychological divorce as soon as my paintings leave the studio. My mind is already bubbling with beginnings of what to make next; what will follow from what came before. I’ve long held the view: work begets work – through the practice itself is where meaning resides. I hold the rigour of daily practice closely. For me it’s a promise of a life-long relationship, born of forgiveness. acknowledging that not all aims can be achieved in one painting, or one exhibition. My commitment is to material curiosity and time. Through an art…

CELESTE CHANDLER 1977 – 2023

September 24, 2023

It is with great sadness that Nicholas Thompson Gallery marks the passing of Celeste Chandler. In addition to being an exceptionally talented painter, Celeste was intelligent, humourous, generous and a delight to work with since joining the gallery in its first year. She was passionate about art, devoted to her family and inspiring in her battle with her illness. She will be greatly missed by so many. Our thoughts are with Andy, Anouk and Celeste’s family. Melbourne based, Tasmanian born painter Celeste Chandler completed a Masters degree in Fine Art at the University of Tasmania (2003) and a PhD at…

VIRGINIA CUPPAIDGE IN CONVERSATION WITH ARTLINK EDITOR UNA REY AT SYDNEY CONTEMPORARY PUBLISHED ON ‘ARTLINK’ ONLINE

September 19, 2023

In Conversation: Virginia Cuppaidge and Una Rey at Nicholas Thompson Gallery, Sydney Contemporary Art Fair 2023. Virginia Cuppaidge (at left) and Una Rey at Nicholas Thompson Gallery’s booth, Sydney Contemporary, Carriageworks, 2023. Photo: Lisa Slade Una Rey_After an illustrious career in New York, artist Virginia Cuppaidge chose to make Newcastle, Australia, her home. I was privileged to see her amazing survey show The Nature of Abstraction in 2019 at Newcastle Art Gallery.[1] I’ve been watching her work and had been exposed to it prior [through the University of Newcastle collection]. It’s a great opportunity and a privilege to speak with you today, Virginia.…

VIRGINIA CUPPAIDGE RESTORATION PROFILED IN ‘ART GUIDE AUSTRALIA’ BY BRIONY DOWNES

September 5, 2023

The art of restoration with Virginia Cuppaidge Making art since childhood, as a teenager Virginia Cuppaidge set her sights on travelling to New York City to see the Abstract Expressionist paintings of Jackson Pollock and Barnett Newman in person. In 1969 she touched down in New York with a suitcase and a pink mini skirt, and stepped straight into a 48-year love affair with the city that never sleeps. “I bought a loft in an old block building on Grand Street in SoHo,” remembers Cuppaidge. “It wasn’t called SoHo then and when I arrived, it was just old factories and…

NICHOLAS THOMPSON GALLERY SPRING1883 EXHIBITION REVIEWED FOR MEMO BY AMELIA WINATA

August 13, 2023

… the spirit of Spring: the mix of kitsch… and old-world luxury… Downstairs at Nicholas Thompson, for example, the suite was excessively crammed with works—to good effect. Heidi Yardley’s sexy lady paintings (Babylon and Design for Scandal, both 2023) were placed on chairs that had been draped with the room’s silky curtains. Think sleazy boudoir. Rhys Lee’s amazing Happy Couple on a Windy Day (2021), with whiffs of German neo-expressionism, balanced happily on a bentwood.

NICHOLAS THOMPSON GALLERY SPRING1883 EXHIBITION IN ART GUIDE’S TOP PICKS OF THE FAIR

August 10, 2023

At the sneak peak of Spring1883 at Melbourne’s Windsor Hotel, one gallerist declared the event “the art fair that artists love”. Rather than meaning something insular, they meant the spirit of fun and community when around 30 of Australia’s top commercial galleries (and a couple from New Zealand), situate artwork within the old grandeur of the Windsor Hotel rooms. Art Guide editors Tiarney Miekus and Sally Gearon have curated their top picks: Nicholas Thompson Gallery: The Circle Room A few galleries at Spring have a glamorous circular lounge area, and Nicholas Thompson Gallery makes impressive use of the space, housing…

NICOLE KELLY EXHIBITED IN SALON DES REFUSÉS 2023 AT S.H. ERVIN GALLERY

May 9, 2023

Nicole Kelly is exhibited in the Salon des Refusés 2023 at S.H. Ervin Gallery until 23 July . The Salon des Refusés was initiated by the S.H. Ervin Gallery in 1992. Each year the selection panel is invited to go behind the scenes of the judging process for the annual Archibald Prize for portraiture and Wynne Prize for landscape painting and figure sculpture at the Art Gallery of New South Wales, to select an exhibition from the many hundreds of works entered in both prizes but not chosen for the official award exhibition. In 2023, 59 works were selected for…