NEWS

SUZANNE ARCHER IN ‘THE WEEKEND AUSTRALIAN’ PUBLIC WORKS BY BRONWYN WATSON

May 14, 2022

In 1965, British-born Suzanne Archer, aged 19 and just out of art school, migrated to Australia. Four years later she had her first solo show at Sydney’s Clune Gallery accompanied by a media blitz from newspapers, radio and television. “(The show) was a hit and I think partially some of the interest might have been because I was a woman ironically,” Archer has said. As part of the media’s coverage, she recalls being told by a female photographer to sit on a chair, pull her skirt up, and cross her legs. “Certainly, the photographs and the advertising for the show…

ELEANOR LOUISE BUTT ON PABLO PICASSO’S ‘THE STUDIO AT LA CALIFORNIE’ 1956 IN MAY/JUNE 2022 ISSUE OF ART GUIDE AUSTRALIA

May 5, 2022

CELESTE CHANDLER STUDIO PROFILE BY SOPHIA HALLOWAY IN ‘ART ALMANAC’, APRIL 2022

April 8, 2022

In the Studio: Celeste Chandler “I’ve had to find a way to work amongst the chaos of life.” When I speak to Melbourne-based artist Celeste Chandler about her upcoming show at Nicholas Thompson Gallery, 6 to 30 April, it’s from her kitchen-cum-studio. Prior to a couple of years ago, Chandler had a large studio and painted on a large scale. The studio was something she thought she could never give up – but due to a combination of circumstances, including the pandemic and her cancer diagnosis, Chandler has had to recalibrate. During the pandemic, many of us share this feeling…

SUZANNE ARCHER’S ‘TOYS AND TERRORS’ EXHIBITED IN ‘HOTA COLLECTS, HIGHLIGHTS FROM HOTA’S COLLECTION’ AT HOTA, QLD

June 2, 2021

HOTA Collects presents a snapshot of the 4,500 works in the City Collection, many of which have never been seen, and includes one of the largest collections of Aboriginal and Torres Strait Islander art in regional Australia. Suzanne Archer ‘Toys and terrors’ 1986 oil, collage on canvas 172.7 x 275 cm Photograph Pete Waddington Collection HOTA, Qld

JAMES DRINKWATER FEATURE BY LOUISE MARTIN-CHEW IN ‘VAULT’ ISSUE 34

June 1, 2021

James Drinkwater’s painting, drawing and sculpture are fuelled by the theatre of his life. He finds the best material in the intimacy of family and the place he chooses to live, the industrial city of Newcastle. FEATURE by LOUISE MARTIN-CHEW There is a physicality in paintings by James Drinkwater also evident in footage of him at work in the studio. He attacks his surface with thrown paint, hits it with rags, slices with the palette knife and scrubs frenetically with fists. When he turns the painting upside down or on its side and declares it finished, there is a kind…

JOHN BOKOR FINALIST IN SIR JOHN SULMAN PRIZE 2021 AT ART GALLERY OF NEW SOUTH WALES

May 27, 2021

John Bokor is a finalist in the Sir John Sulman Prize 2021 at the Art Gallery of New South Wales . John Bokor Rosé and lemons oil on canvas 160 x 180.5 cm . “In Rosé and lemons, the casual clutter of domestic life takes centre stage. This painting is my way of showing beauty in the everyday world. I like the struggle between a realistic depiction and the abstract nature of paint. Painting, I believe, should always be a response primarily to the subject, not a photo-like rendering of it. This is not a glamorous scene, it’s about accessible…

PHILJAMES FINALIST IN WYNNE PRIZE 2021 AT ART GALLERY OF NEW SOUTH WALES

May 27, 2021

Philjames is a finalist in the Wynne Prize 2021 at the Art Gallery of New South Wales . Philjames Spun idol machined polystyrene, polyurethane and automotive paint 110 x 65 x 65 cm . “Spun idol is inspired by Renato Bertelli’s 1933 ceramic bust of the Italian dictator Benito Mussolini, Continuous profile (Head of Mussolini) Profilo continuo (Testa di Mussolini). It stands as a pop cultural sentinel, omnipresent and ever watching. Like the monuments to devotion unearthed from ages past, I imagine it to be a speculative future historical relic to be discovered, or a monolith yet to be erected;…

SUZANNE ARCHER FINALIST IN SIR JOHN SULMAN PRIZE 2021 AT ART GALLERY OF NEW SOUTH WALES

May 27, 2021

Suzanne Archer is a finalist in the Sir John Sulman Prize 2021 at the Art Gallery of New South Wales . Suzanne Archer Winterburn oil on canvas 210 x 361.3 cm . “The title of this painting is a play on the name Wedderburn, the bushland environment in NSW where I have lived and had my studio for over 33 years, and a reference to the season. The landscape plays a major part in setting the scene for the floating apparition, which is a direct reference to one of a series of mask sculptures made from repurposed bags that dealt…

NICHOLAS THOMPSON TO EXHIBIT HEIDI YARDLEY AT SYDNEY CONTEMPORARY 2021

May 16, 2021

NICHOLAS THOMPSON GALLERY TO EXHIBIT AT SPRING 1883 ART FAIR, 4 – 7 AUG 2021

May 16, 2021

GUY WARREN FEATURE IN ARTSHUB BY GINA FAIRLEY

April 20, 2021

When you’ve still got it at 100: Q&A with artist Guy Warren The centenarian puts his longevity down to a whiskey every night, just getting on with it, and not listening too much to art theory. We talk to him about ageism, the environment, drive and his advice for the next generation of painters.

GUY WARREN FEATURE BY JOHN MCDONALD IN ‘SYDNEY MORNING HERALD’ 10 APR 2021

April 10, 2021

Australia’s oldest artist remains at the canvas, reaching a century By John McDonald April 8, 2021 — 5.00am Australia’s oldest working artist, Guy Warren, is getting tired of being asked: “What’s the secret of a long life?” His answer is very simple: “You just have to keep living.” When Warren gets down to detail he says it’s a matter of “good genes, good luck and a whiskey every night”. Beyond that he doesn’t know what on earth he did to find himself turning 100. As we go deeper into the subject it’s agreed the two golden rules might be: “Don’t sit…