Eleanor Louise Butt
ELEANOR LOUISE BUTT ON PABLO PICASSO’S ‘THE STUDIO AT LA CALIFORNIE’ 1956 IN MAY/JUNE 2022 ISSUE OF ART GUIDE AUSTRALIA
ELEANOR LOUISE BUTT’S 10 METRE COMMISSIONED WORK ‘MUSIC & TREES’ ON VIEW AT HER BAR, MELBOURNE CBD
Eleanor Louise Butt’s ten metre commissioned work ‘Music and Trees’ can now be viewed installed at the newly opened HER BAR in Lonsdale Street, Melbourne . “During the spring of 2021 I travelled through a forest daily to get to the studio where I made this painting. The light shone through the new leaves and…
Read MoreELEANOR LOUISE BUTT EXHIBITION REVIEW BY TAI SNAITH FOR 3RRR ‘SMART ARTS’, 3 SEPTEMBER 2020
Link to exhibition review below: https://www.rrr.org.au/shared/broadcast-episode/13040/2220000/2972000
Read MoreELEANOR LOUISE BUTT FEATURED IN ‘ARTIST PROFILE’ ISSUE 52
ELEANOR LOUISE BUTT IN ISSUE 92 OF ART COLLECTOR MAGAZINE
ELEANOR LOUISE BUTT ON ‘THE DESIGN FILES’ IN STUDIO VISIT BY SASHA GATTERMAYR
Sunshine-Tinted Paintings By Eleanor Louise Butt STUDIO VISIT In these late autumnal days heading firmly into winter, the shift between seasons is most noticeable. Daylight savings slips away, temperatures drop into distinctly icier territory, and nature’s fragility begins to flake into nothing. Eleanor Louise Butt’s paintings remind us of this seasonal shift. Her latest body…
Read MoreELEANOR LOUISE BUTT PROFILED ON A-OK
Eleanor Butt What led you to choose painting as a medium? (Or did painting choose you?) Painting is the medium that allows me to speak my own language. When I was very young, my mum was at university and doing an art subject, I remember clearly being interested in the research, images, and stories behind…
Read MoreELEANOR LOUISE BUTT IN ‘THALIA’ MAGAZINE
Working in loose, gestural abstraction, my painting practice is process driven. Through colour, texture, lines and forms, I combine surfaces and gestural energy, adopting the potentialities of paint to create surfaces where action, experience, perception and memory are interwoven and folded back into one another. The surface of each painting becomes a charged space through…
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