NEWS

TAI SNAITH FINALIST IN 2026 SHELLEY SIMPSON CERAMICS PRIZE AT CRAFT VICTORIA

August 17, 2026

Tai Snaith’s work ‘Affirmative Animals’ is a finalist in this year’s Shelley Simpson Ceramics Prize. The Shelley Simpson Ceramics Prize (SSCP) was established in 2020 by Mud Australia Founder and Creative Director, Shelley Simpson, to support and champion the next generation of Australian ceramicists. Presented in partnership with Craft Victoria, the annual prize is open to ceramic artists working across functional ware, fine art, handcrafted objects and broader commercial ceramic practices. Alongside a $10,000 cash prize, shortlisted finalists will be exhibited at Craft Victoria as part of a dedicated exhibition celebrating contemporary Australian ceramics. The finalists’ work will be exhibited…

JUDITH VAN HEEREN FINALIST IN 2026 MALDON LANDSCAPE PRIZE

August 14, 2026

Judith van Heeren is a finalist in the 2026 Maldon Landscape Prize with her work ‘Pink moon’. The 2026 Maldon Landscape Prize, themed “Essence of Place,” is a national art award in Australia presented by the Maldon Artist Network and Cascade Art Gallery, encouraging diverse, inventive interpretations of the landscape. The finalist exhibition runs from September 26 to October 24, 2026, at the Cascade Art Gallery. “Essence of Place” invites artists to capture their personal, figurative, spiritual, impressionistic, or abstract responses to the environment and land. The Prize is generously supported by the Hillary Merkus Recordati Foundation.

JUDITH VAN HEEREN FINALIST IN 2026 R & M MCGIVERN PRIZE

August 14, 2026

Judith van Heeren is a finalist in the 2026 R & M McGivern Prize with her painting ‘Old Moon’. The R & M McGivern Prize was established by the will of the late Muriel Evelyn McGivern, a local resident and artist of Maroondah, as a legacy of Muriel’s support of the arts in Maroondah. The Prize is awarded every three years by the Trustee for outstanding, original artwork in the medium of painting in oil and watercolour (including gouache). The R & M McGivern Prize is an acquisitive award and the winning artworks will become the property of the Maroondah…

HEIDI YARDLEY IS A FINALIST IN THE HAZELHURST ART ON PAPER AWARD 2019 AT HAZELHURST ARTS CENTRE

August 7, 2019

Heidi Yardley ‘The black veil’ 2019 charcoal on primed paper 110 x 84 cm⁣ Exhibition current 21 September 2019 to 17 November 2019⁣

KARLA MARCHESI IS A FINALIST IN THE ARTHUR GUY MEMORIAL PAINTING PRIZE 2019 AT BENDIGO ART GALLERY

August 4, 2019

Karla Marchesi ‘Wings of Desire’ 2018 oil on linen 160 x 145 cm⁣ Exhibition current 14 September to 8 December 2019⁣

ANTONIA SELLBACH’S ‘UNSTABLE OBJECT 32’ ILLUSTRATED IN PUBLICATION ‘MELBOURNE MODERN: EUROPEAN ART AND DESIGN AT RMIT SINCE 1945’⁣

July 20, 2019

VIRGINIA CUPPAIDGE NEWCASTLE SURVEY EXHIBITION REVIEWED BY UNA REY FOR ‘ARTLINK’

July 1, 2019

Virginia Cuppaidge: The Nature of Abstraction https://www.artlink.com.au/articles/4770/virginia-cuppaidge-the-nature-of-abstraction/ Virginia Cuppaidge, Mauve River, 1972, acrylic on canvas. Courtesy the artist The forty-year chronology traced in Virginia Cuppaidge: The Nature of Abstraction begins with Mauve River (1972) and ends with Bee Map (2012). This survey is a coup for Newcastle Art Gallery and curator Sarah Johnson, with nineteen paintings and a single vitrine of archival material occupying the ground floor of the two-level gallery. Opened in 1977, the brutalist building was the first custom-designed regional art gallery in Australia and its internal spaces were conceived for exactly the kind of big painting that Cuppaidge dreamed of in her youth. In…

ANTONIA SELLBACH’S ‘UNSTABLE OBJECT 32, GRID PAINTING’ EXHIBITED IN ‘MELBOURNE MODERN: EUROPEAN ART & DESIGN AT RMIT SINCE 1945’ AT RMIT GALLERY UNTIL 17 AUGUST 2019

June 25, 2019

VIRGINIA CUPPAIDGE SURVEY ‘THE NATURE OF ABSTRACTION’ REVIEWED BY JILL STOWELL IN THE NEWCASTLE HERALD⁣

May 26, 2019

Art review: Virginia Cuppaidge, the nature of abstraction, Newcastle Art Gallery Jill Stowell Virginia Cuppaidge is an Australian artist who has also been an international figure for the last 40 years, though unlike the Francophiles Rupert Bunny and John Russell in an earlier generation, she has regularly exhibited her vibrant abstract paintings in Australia as well as in New York, where she has lived since 1969. It may at first seem surprising to find in Newcastle a survey exhibition covering the entirety of her long and successful career, but for Virginia Cuppaidge, the nature of abstraction has largely come about…

HEIDI YARDLEY FEATURED IN ISSUE 47 OF ‘ARTIST PROFILE’⁣⁣⁣

May 23, 2019

CELESTE CHANDLER FINALIST IN THE ST KEVIN’S ART SHOW 2019 WITH PAINTING ‘THIS WOMAN’S WORK’ CURRENT TO 27 MAY⁣

May 14, 2019

VIRGINIA CUPPAIDGE SURVEY EXHIBITION ‘THE NATURE OF ABSTRACTION’ CURRENT AT NEWCASTLE ART GALLERY TO 21 JULY 2019⁣⁣⁣⁣

May 5, 2019

Virginia Cuppaidge is recognised as one of Australia’s foremost abstract painters. Her connections with Newcastle have been enduring and with this the recent donation of the geometric painting Saix 1974 to the Newcastle Art Gallery collection in 2018. The exhibition is a survey of the last forty plus years work by the artist and maps the career of the one of Australia’s leading painters. The exhibition marks and celebrates Cuppaidge’s return to Australia after four decades in New York. This career survey brings together works from the Newcastle Art Gallery collection, key state and national collections and the artist’s own holdings from…