NEWS

TAI SNAITH FINALIST IN 2026 SHELLEY SIMPSON CERAMICS PRIZE AT CRAFT VICTORIA

August 17, 2026

Tai Snaith’s work ‘Affirmative Animals’ is a finalist in this year’s Shelley Simpson Ceramics Prize. The Shelley Simpson Ceramics Prize (SSCP) was established in 2020 by Mud Australia Founder and Creative Director, Shelley Simpson, to support and champion the next generation of Australian ceramicists. Presented in partnership with Craft Victoria, the annual prize is open to ceramic artists working across functional ware, fine art, handcrafted objects and broader commercial ceramic practices. Alongside a $10,000 cash prize, shortlisted finalists will be exhibited at Craft Victoria as part of a dedicated exhibition celebrating contemporary Australian ceramics. The finalists’ work will be exhibited…

JUDITH VAN HEEREN FINALIST IN 2026 MALDON LANDSCAPE PRIZE

August 14, 2026

Judith van Heeren is a finalist in the 2026 Maldon Landscape Prize with her work ‘Pink moon’. The 2026 Maldon Landscape Prize, themed “Essence of Place,” is a national art award in Australia presented by the Maldon Artist Network and Cascade Art Gallery, encouraging diverse, inventive interpretations of the landscape. The finalist exhibition runs from September 26 to October 24, 2026, at the Cascade Art Gallery. “Essence of Place” invites artists to capture their personal, figurative, spiritual, impressionistic, or abstract responses to the environment and land. The Prize is generously supported by the Hillary Merkus Recordati Foundation.

JUDITH VAN HEEREN FINALIST IN 2026 R & M MCGIVERN PRIZE

August 14, 2026

Judith van Heeren is a finalist in the 2026 R & M McGivern Prize with her painting ‘Old Moon’. The R & M McGivern Prize was established by the will of the late Muriel Evelyn McGivern, a local resident and artist of Maroondah, as a legacy of Muriel’s support of the arts in Maroondah. The Prize is awarded every three years by the Trustee for outstanding, original artwork in the medium of painting in oil and watercolour (including gouache). The R & M McGivern Prize is an acquisitive award and the winning artworks will become the property of the Maroondah…

VIRGINIA CUPPAIDGE’S ‘BLACK, WHITE AND BEIGE’ 1980 RESTORED BY THE UNIVERSITY OF MELBOURNE’S GRIMWADE CONSERVATION SERVICES

December 15, 2019

ALUN LEACH-JONES BY NICHOLAS THOMPSON IN CATALOGUE FOR ‘THE PAUL GUEST COLLECTION’ AT BENDIGO ART GALLERY

December 8, 2019

ALUN LEACH-JONES POSTHUMOUS RECIPIENT OF AUSTRALIAN PRINT WORKSHOP GEORGE COLLIE MEMORIAL AWARD 2019

November 14, 2019

WENDY STAVRIANOS IN ‘VAULT’ EXTRA’S HIGHLIGHTS OCTOBER 2019

October 23, 2019

WENDY STAVRIANOS AT NICHOLAS THOMPSON The abstraction of Wendy Stavrianos’ recent body of work results from the artist’s psychological and physical observations of the inescapable effects of contemporary climate catastrophe. The outcome is a collection of paintings, characterised by sharp contrasting pastels and deep black tones that reflect on the harsh reduction of the Australian landscape, marred by drought, dryness and heat. Through the Window of an Inner Room is the outcome of Stavrianos’ private reverie about the deeper sentiment of objects, namely those collected in and around her central Victorian studio space. Living and working in this remote landscape, Stavrianos…

ANTONIA SELLBACH’S ‘FRAME WORKS’ REVIEWED BY REX BUTLER IN ‘ART COLLECTOR’ ⁣⁣ISSUE 90

October 6, 2019

VIRGINIA CUPPAIDGE ‘PALE BLUE JACARANDA’ 1970 IS EXHIBITED IN ‘NEW WOMAN’ AT THE MUSEUM OF BRISBANE UNTIL MARCH 2020

September 29, 2019

HEIDI YARDLEY SEMI-FINALIST IN DOUG MORAN NATIONAL PORTRAIT PRIZE 2019⁣ WITH ⁣‘GARETH SANSOM – GRAND GUIGNOL’⁣

September 24, 2019

WENDY STAVRIANOS ‘THROUGH THE WINDOW OF AN INNER ROOM’ PREVIEWED BY JOHN MCDONALD IN ‘THE AGE & SYDNEY MORNING HERALD’ 20 SEPTEMBER

September 20, 2019

Art: Wendy Stavrianos By John McDonald September 20, 2019 — 11.44pm Wendy Stavrianos. Lives: Walmer, VIC. Age: 78. Represented by: Nicholas Thompson Gallery, Melbourne; no Sydney gallery Her thing. Expressive, semi-abstract landscapes of the imagination. Our take. Wendy Stavrianos’s new works explore that borderline between the studio and the external world, between observation and memory, landscape and invention. It’s been some 30 years since Stavrianos and her artist partner, Craig Gough, moved to a Victorian property at Walmer, between Bendigo and Castlemaine, and the harsh, dry climate has become an integral element in her work. In her exhibition at Nicholas Thompson Gallery, Through the Window of…

ANTONIA SELLBACH EXHIBITED IN ‘M_OTHERING THE PERCEPTUAL ARTS POETICA’ AT COUNIHAN GALLERY, BRUNSWICK

September 4, 2019

‘This exhibition seeks to explore how maternal roles are being approached in creative practice. Curated by Abbra Kotlarczyk and Antonia Sellbach, ‘m_othering the perceptual ars poetica’ is an examination of intersectional approaches to mothering and parentage, to include not only the care of children but of the environment and cultural spaces — their histories, forms and legacies. Within the broader context of care-taking and custodianship, the exhibition seeks to describe how maternal roles are being approached in, and at the sidelines of, creative practice. In this way, the exhibition poses how ‘m_othering’ might function as a framework that speaks to…