NEWS

SUZANNE ARCHER EXHIBITED IN ‘FEMME-MAISON: IMAGINED BOUNDARIES – WOMEN ARTISTS FROM THE COLLECTION AND BEYOND’ AT MACQUARIE UNIVERSITY ART GALLERY UNTIL 29 APRIL

March 26, 2024

Suzanne Archer is exhibited in ‘Femme-Maison: Imagined Boundaries – Women artists from the collection and beyond’ at Macquarie University Art Gallery until 29 April Celebrating the 50th anniversary of the Women’s Art Movement in Australia in Macquarie University’s 60th anniversary Macquarie University Art Gallery is proud to present this two-venue exhibition program in partnership with Gallery Lane Cove A collection can reveal multiple viewpoints and conceptions, nuanced by its history of continuity and gaps. In recognition of the 50th anniversary of the Women’s Art Movement in Australia we have tapped into the collection by reappraising those shifts and generational legacies.…

KEZ HUGHES FINALIST IN 2024 BAYSIDE PAINTING PRIZE

March 20, 2024

Kez Hughes is a finalist in the 2024 Bayside Painting Prize Established in 2015, the Bayside Painting Prize is one of the most generous non-acquisitive painting prizes in the country. The finalist exhibition brings together a broad range of artists, both established and lesser known, whose varied approaches to the painted medium conveys the breadth and diversity of painting in Australia today. Image: Kez Hughes ‘𝙉𝙤𝙧𝙞𝙠𝙤 𝙉𝙖𝙠𝙖𝙢𝙪𝙧𝙖, 𝙈𝙤𝙩𝙝𝙚𝙧𝙡𝙖𝙣𝙙, 𝙎𝙪𝙩𝙩𝙤𝙣 𝙂𝙖𝙡𝙡𝙚𝙧𝙮 2016’ 2023 oil on linen 64 x 79 cm

MARTIN GEORGE FINALIST IN 2024 BAYSIDE PAINTING PRIZE

March 20, 2024

Martin George is a finalist in the 2024 Bayside Painting Prize . Established in 2015, the Bayside Painting Prize is one of the most generous non-acquisitive painting prizes in the country. The finalist exhibition brings together a broad range of artists, both established and lesser known, whose varied approaches to the painted medium conveys the breadth and diversity of painting in Australia today. . Image: Martin George 𝙑𝙖𝙡𝙡𝙚𝙮 2024 acrylic on linen 76 x 101.5cm Photo Photographic Record, Melbourne

SU BAKER’S MONOGRAPH AND NICHOLAS THOMPSON GALLERY’S FIRST PUBLICATION ‘SUSTAINED SENSATION’ NOW AVAILABLE FROM GALLERY

August 27, 2016

SU BAKER SUSTAINED SENSATION 27 AUGUST TO 18 SEPTEMBER 2016 Exhibition and launch of Su Baker’s monograph ‘Sustained Sensation’. With contributions from Rex Butler, Sean Lowry and Anna Gibbs, ‘Sustained Sensation’ revisits and re-enacts a three-year period in Baker’s practice.  ‘Sustained Sensation’ was first exhibited in 1989 as part of Australian Perspecta 89, the national survey of contemporary art curated by Tony Bond and Victoria Lynn and presented at the Art Gallery of New South Wales. Baker went on to explore and extend the themes of this work in two subsequent exhibitions: ‘Continuum and Detail’, at the Institute of Modern…

HEIDI YARDLEY BILLBOARD INSTALLED AT BAKEHOUSE STUDIOS, HODDLE STREET, RICHMOND

August 20, 2016

HEIDI YARDLEY INTERVIEWED BY NOTFAIR FOR EXHIBITION CATALOGUE

August 16, 2016

HEIDI YARDLEY’S EXHIBITION ‘LOST WEEKEND’ PREVIEWED IN ART COLLECTOR

August 9, 2016

REW HANKS FINALIST IN THE BASIL SELLERS ART PRIZE 2016 AT THE IAN POTTER MUSEUM OF ART, MELBOURNE UNIVERSITY

July 29, 2016

LINK TO LIST OF FINALISTS BELOW: http://www.sellersartprize.com.au/artists-and-exhibition/2016/shortlisted-artists/

KARLA MARCHESI WORK FEATURED IN EXHIBITION ‘A CONVERSATION ABOUT PORTRAITURE’ AT PINE RIVERS ART GALLERY UNTIL 3 SEPTEMBER

July 22, 2016

Exhibition: A Conversation about Portraiture This exhibition explores the many approaches to portraiture, from the traditional through to non-figurative, informal approaches to the genre. The exhibition features artists Bianca Beetson, Michael Cook, Donna Davis, Julie Fragar, Ryan Fraser, Oscar Fristrom, Karla Marchesi, Nan Paterson, William Platz, Nic Plowman, Leanne Sauer, Leonard Shillam, Kaye Stuart and Tyza Stewart.

RHYS LEE’S EXHIBITION SPIT SHINE PROFILED BY ASHLEY CRAWFORD IN CURRENT ISSUE OF ‘ART COLLECTOR’ ISSUE 77

July 20, 2016

The senior artist Gareth Sansom recently made a comment about a Rhys Lee work on Instagram, suggesting that the painting shouldn’t work, “but it does.” Over a recent lunch he convinced Lee that the comment was meant as an utter compliment, however Sansom’s comment certainly was astute: There is always something “wrong” with Rhys Lee’s work, something wonderfully off-kilter that is at first utterly unnerving but, once it settles, becomes entirely beguiling. “I’ve been going through a colour period in the last few years,” he said at that same lunch. “But now I’m turning towards a dark period.” As a…

HEIDI YARDLEY’S EXHIBITION ‘LOST WEEKEND’ PREVIEWED IN BELLE MAGAZINE

July 12, 2016

HEIDI YARDLEY FEATURED IN ‘THE DESIGN FILES’

July 6, 2016