NEWS

WENDY STAVRIANOS EXHIBITION REVIEWED BY CHRISTOPHER HEATHCOTE

March 19, 2026

Wendy Stavrianos’s ‘Gathering’ series fills the exhibition space at Nicholas Thompson Gallery over in Collingwood. In recent years this gallery has been dipping into old canvases stored in her studio, then presenting shows which review aspects of this senior artist’s career. Stavrianos is known as a project based artist, each of her many shows amounting to an integrated body of visual work on a specified theme. There are 15 interlinking paintings in oil executed between 2003 and 2025 in the present exhibition, including one piece which was a chosen finalist for the AGNSW’s Sulman Prize in 2007. The ‘Gathering’ series was prompted by an…

HEIDI YARDLEY EXHIBITED IN ‘NEW OLD SCHOOL’ AT MAITLAND REGIONAL ART GALLERY

March 14, 2026

Heidi Yardley is exhibited in ‘New Old School’ at Maitland Regional Art Gallery until 28 June.   Curated by Chelsea Lehmann and Luke Thurgate, ‘New Old School’ brings together seven contemporary painters – Rob Cleworth, Nicholas Ives, Kate Kurucz, Chelsea Lehmann, Jordan Richardson, Luke Thurgate & Heidi Yardley – who treat art history as a living companion rather than a distant legacy. Engaging in a “conversation across time”, the artists reimagine historical forms, materials, and figures to explore how the past persists within the present. Balancing reverence and reinvention, the exhibition celebrates painting’s enduring vitality and complex history.   Image:…

ANTONIA SELLBACH SCHOOLHOUSE STUDIOS RESIDENCY EXHIBITION

March 12, 2026

Schoolhouse Studios is proud to present ‘Comet Logic: Pedagogical Trails’, a new body of work by Antonia Sellbach. The artworks in the exhibition ‘Comet Logic: Pedagogical Trails’ were developed during a three-month residency at Schoolhouse Studios, Coburg (January–March 2026). As I worked, emergent and recurring forms persisted: circular, globular shapes initially resembling rocks, stars, planets, eyes, eggs, or cells. Through the repeated depiction of these forms, further observations began to surface. Many shared a similar internal structure: a dense nucleus surrounded by halos, or comas. I began to consider how the inner mechanics of a comet might echo the forms…

GUY WARREN EXHIBITION ‘WORKS ON PAPER’ PREVIEWED IN ART COLLECTOR ISSUE 79

January 31, 2017

NICHOLAS THOMPSON GALLERY LISTED IN ‘BELLE’ MAGAZINE’S GUIDE TO AUSTRALIA’S BEST COMMERCIAL GALLERIES

December 12, 2016

WENDY STAVRIANOS INTERVIEWED BY JANEY MCKENZIE FOR STUDIO INTERNATIONAL

October 23, 2016

Wendy Stavrianos: ‘I have always aimed for my work to be more akin to visual poetry’ The artist talks about her concern with environmental degradation and mass migration, and her aim to share her sadness and memories in her latest works by JANET McKENZIE Wendy Stavrianos (b1941) lives near Melbourne in Victoria, Australia, and has recently produced a haunting body of work that she refers to as her “old-woman paintings”. In her overtly political works, such as Rape of a Northern Land (1976-78), she was a strident voice against the pollution created by mining. Drawing on a large scale with…

HEIDI YARDLEY BILLBOARD INSTALLED AT BAKEHOUSE STUDIOS, HODDLE STREET, RICHMOND

August 20, 2016

HEIDI YARDLEY INTERVIEWED BY NOTFAIR FOR EXHIBITION CATALOGUE

August 16, 2016

HEIDI YARDLEY’S EXHIBITION ‘LOST WEEKEND’ PREVIEWED IN ART COLLECTOR

August 9, 2016

KARLA MARCHESI WORK FEATURED IN EXHIBITION ‘A CONVERSATION ABOUT PORTRAITURE’ AT PINE RIVERS ART GALLERY UNTIL 3 SEPTEMBER

July 22, 2016

Exhibition: A Conversation about Portraiture This exhibition explores the many approaches to portraiture, from the traditional through to non-figurative, informal approaches to the genre. The exhibition features artists Bianca Beetson, Michael Cook, Donna Davis, Julie Fragar, Ryan Fraser, Oscar Fristrom, Karla Marchesi, Nan Paterson, William Platz, Nic Plowman, Leanne Sauer, Leonard Shillam, Kaye Stuart and Tyza Stewart.

RHYS LEE’S EXHIBITION SPIT SHINE PROFILED BY ASHLEY CRAWFORD IN CURRENT ISSUE OF ‘ART COLLECTOR’ ISSUE 77

July 20, 2016

The senior artist Gareth Sansom recently made a comment about a Rhys Lee work on Instagram, suggesting that the painting shouldn’t work, “but it does.” Over a recent lunch he convinced Lee that the comment was meant as an utter compliment, however Sansom’s comment certainly was astute: There is always something “wrong” with Rhys Lee’s work, something wonderfully off-kilter that is at first utterly unnerving but, once it settles, becomes entirely beguiling. “I’ve been going through a colour period in the last few years,” he said at that same lunch. “But now I’m turning towards a dark period.” As a…

HEIDI YARDLEY’S EXHIBITION ‘LOST WEEKEND’ PREVIEWED IN BELLE MAGAZINE

July 12, 2016