Virginia Cuppaidge
VIRGINIA CUPPAIDGE IN CONVERSATION WITH ARTLINK EDITOR UNA REY AT SYDNEY CONTEMPORARY PUBLISHED ON ‘ARTLINK’ ONLINE
In Conversation: Virginia Cuppaidge and Una Rey at Nicholas Thompson Gallery, Sydney Contemporary Art Fair 2023. Virginia Cuppaidge (at left) and Una Rey at Nicholas Thompson Gallery’s booth, Sydney Contemporary, Carriageworks, 2023. Photo: Lisa Slade Una Rey_After an illustrious career in New York, artist Virginia Cuppaidge chose to make Newcastle, Australia, her home. I was…
Read MoreVIRGINIA CUPPAIDGE RESTORATION PROFILED IN ‘ART GUIDE AUSTRALIA’ BY BRIONY DOWNES
The art of restoration with Virginia Cuppaidge Making art since childhood, as a teenager Virginia Cuppaidge set her sights on travelling to New York City to see the Abstract Expressionist paintings of Jackson Pollock and Barnett Newman in person. In 1969 she touched down in New York with a suitcase and a pink mini skirt,…
Read MoreVIRGINIA CUPPAIDGE IN NICK MITZEVICH’S DIRECTOR’S CHOICE IN THE NATIONAL GALLERY OF AUSTRALIA’S ‘ARTONVIEW’ MAGAZINE, SPRING 2020
VIRGINIA CUPPAIDGE EXHIBITION REVIEWED BY JANE ECKETT FOR ‘MEMO’
VIRGINIA CUPPAIDGE WORK ON SYDNEY BILLBOARD AS PART OF NATIONAL GALLERY OF AUSTRALIA’S ‘KNOW MY NAME’ CAMPAIGN
VIRGINIA CUPPAIDGE ‘AURORA’ INCLUDED IN ‘MAKING HER MARK: SELECTED WORKS FROM THE COLLECTION’ AT TARRAWARRA MUSEUM OF ART UNTIL 16 APRIL 2020
VIRGINIA CUPPAIDGE IN ‘PUBLIC WORKS’ BY BRONWYN WATSON IN ‘THE AUSTRALIAN’
VIRGINIA CUPPAIDGE’S ‘BLACK, WHITE AND BEIGE’ 1980 RESTORED BY THE UNIVERSITY OF MELBOURNE’S GRIMWADE CONSERVATION SERVICES
VIRGINIA CUPPAIDGE ‘PALE BLUE JACARANDA’ 1970 IS EXHIBITED IN ‘NEW WOMAN’ AT THE MUSEUM OF BRISBANE UNTIL MARCH 2020
VIRGINIA CUPPAIDGE NEWCASTLE SURVEY EXHIBITION REVIEWED BY UNA REY FOR ‘ARTLINK’
Virginia Cuppaidge: The Nature of Abstraction https://www.artlink.com.au/articles/4770/virginia-cuppaidge-the-nature-of-abstraction/ Virginia Cuppaidge, Mauve River, 1972, acrylic on canvas. Courtesy the artist The forty-year chronology traced in Virginia Cuppaidge: The Nature of Abstraction begins with Mauve River (1972) and ends with Bee Map (2012). This survey is a coup for Newcastle Art Gallery and curator Sarah Johnson, with nineteen paintings and a single vitrine of archival…
Read More