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Works from Tai Snaith’s ‘Flotilla (there’s no dignity in haste)’ series of slugs have been acquired by the Shepparton Art Museum. The Shepparton Art Museum (SAM) holds the most significant collection of historic and contemporary Australian ceramics in regional Australia. The collection strives to encompass all aspects of ceramic production in Australia and be comprehensive in its representation of major trends, developments and important periods of production. Tai Snaith’s slugs have previously been exhibited with Nicholas Thompson Gallery at Spring 1883 (2025) and Heide Museum of Modern Art (2021). Installation image by @alicehutchison_photography
Judith Van Heeren is exhibited in Groundswell at Castlemaine Art Museum until the 19th of July. In order to effect change, you need a groundswell, a groundswell of opinion, a surge of emotion, a desire for new thinking. This exhibition celebrates artists who want to build a groundswell for change whether that be environmental, cultural, personal or political. This exhibition has evolved from earlier projects celebrating the women who worked together to found the gallery in the early 20th century. Like them, any of the contemporary artists in this exhibition value networks, community connection and participation. Contemporary local artists include: Arkeria Armstrong,…
Antonia Sellbach is exhibited in ‘The Concentric Influences of Sol LeWitt: Foundations, Pivots and Place’, opening at RMIT Gallery on 5 June 2026. Instigated and directed by Dr Irene Barberis (RMIT School of Art), this exhibition emerges from her long-term friendship and mentorship with the esteemed American conceptual artist Sol LeWitt. In the 1960s, LeWitt revolutionised the definition of contemporary art by presenting the simple but radical idea that a work of art’s concept is more important than its form. RMIT Gallery is delighted to centre this exhibition around a LeWitt wall drawing; the…
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Nicole Kelly is a finalist in the 2026 Wynne Prize at the Art Gallery of New South Wales with her painting ‘Bird Hour’. “I have visited the arid zone of remote Fowlers Gap Research Station in NSW, 110 kilometres north of Broken Hill, continuously for the past six years. Bird hour is an accumulated response to these visits, celebrating the variety of bird life and visually shifting desert landscape. Reflecting on our binding relationships with the landscape and a love of the land, the painting reveals an ongoing attempt to portray reality in a way that liaises not with literal…
Congratulations to Betra Fraval who has been awarded the acquisitive Beckett Local Prize at the 2026 Bayside Painting Prize with her work ‘Taking flight’. The Bayside Painting Prize is Melbourne’s premier annual painting prize. The finalist exhibition brings together a broad range of artists from across Australia, both established and lesser known, whose varied approaches to the painted medium conveys the breadth and diversity of painting in Australia today.
Although she emigrated from the Netherlands to Australia as a young child, Judith Van Heeren appears to have inherited a cultural affinity for the dark, moody still lifes of the Dutch Masters, an art historical legacy she has long admired. Borrowing from this visual language, her paintings elevate Australian flora, imbuing them with the gravitas, beauty and mystery more commonly associated with European flowers in 17th-century still life painting. With a practice spanning more than three decades, Van Heeren is presenting her first solo exhibition with Nicholas Thompson Gallery in Melbourne. Known for her small oil paintings that reward slow…
Tai Snaith will be exhibited in the forthcoming NGV Triennial from the 13th of December 2026 to 11 April 2027. Featuring more than eighty ambitious and thought-provoking projects, including major new commissions, the 2026 NGV Triennial offers a global journey through contemporary art and design. Unfolding across all four levels of NGV International, the fourth NGV Triennial brings together the work of some of the most respected artists and designers from around the world, while amplifying the voices of emerging talents. Spanning painting, video, sculpture, installation, fashion, textiles, ceramics and design, the exhibition places contemporary works in dialogue with the…
Wendy Stavrianos’ exhibition ‘Early Works from The Gathering Series’ has been reviewed in The Age today, Sat 4 April 2026, by Tiarney Miekus ‘Wendy Stavrianos has been painting for nearly 60 years. She empathically yet acutely grasps landscapes and has captured the reality and mortality of climate change while rendering scenes that are natural, psychological and mysterious. This exhibition features her “gatherer” paintings from the 2000s. They are influenced by Jean-Francis Millet’s The Gleaners (1857), capturing the hardship of rural workers via three female labourers who gather leftover grains, giving dignity to the women and the landscape. In one painting,…
Betra Fraval is a finalist in the 2026 Bayside Painting Prize. Established in 2015, the Bayside Painting Prize is Melbourne’s premier annual painting prize. The finalist exhibition brings together a broad range of artists from across Australia, both established and lesser known, whose varied approaches to the painted medium conveys the breadth and diversity of painting in Australia today. The exhibition runs from 1 May to 14 June at Bayside Gallery. Betra Fraval Taking flight, 2025 oil on linen 91.5 x 81.5 cm
Wendy Stavrianos’s ‘Gathering’ series fills the exhibition space at Nicholas Thompson Gallery over in Collingwood. In recent years this gallery has been dipping into old canvases stored in her studio, then presenting shows which review aspects of this senior artist’s career. Stavrianos is known as a project based artist, each of her many shows amounting to an integrated body of visual work on a specified theme. There are 15 interlinking paintings in oil executed between 2003 and 2025 in the present exhibition, including one piece which was a chosen finalist for the AGNSW’s Sulman Prize in 2007. The ‘Gathering’ series was prompted by an…
Heidi Yardley is exhibited in ‘New Old School’ at Maitland Regional Art Gallery until 28 June. Curated by Chelsea Lehmann and Luke Thurgate, ‘New Old School’ brings together seven contemporary painters – Rob Cleworth, Nicholas Ives, Kate Kurucz, Chelsea Lehmann, Jordan Richardson, Luke Thurgate & Heidi Yardley – who treat art history as a living companion rather than a distant legacy. Engaging in a “conversation across time”, the artists reimagine historical forms, materials, and figures to explore how the past persists within the present. Balancing reverence and reinvention, the exhibition celebrates painting’s enduring vitality and complex history. Image:…
Schoolhouse Studios is proud to present ‘Comet Logic: Pedagogical Trails’, a new body of work by Antonia Sellbach. The artworks in the exhibition ‘Comet Logic: Pedagogical Trails’ were developed during a three-month residency at Schoolhouse Studios, Coburg (January–March 2026). As I worked, emergent and recurring forms persisted: circular, globular shapes initially resembling rocks, stars, planets, eyes, eggs, or cells. Through the repeated depiction of these forms, further observations began to surface. Many shared a similar internal structure: a dense nucleus surrounded by halos, or comas. I began to consider how the inner mechanics of a comet might echo the forms…